Hira Roberts is a Digital Artist, Architect, and an Assistant Professor at Prairie View A&M University. She received her undergraduate degree from the National College of Arts, Lahore, after which she did contract work. Due to her strong 3D modeling skills she was offered a job at a game development company which led to her pursuit of a Master Degree in Digital Art from Louisiana State University.
Thematically, her work is representative of challenges she has faced as a woman in a third world country, her pursuit of independence, and life of an immigrant woman in the United States. Embodiment and disembodiment are an integral part of her work and a means to create empathetic experiences for audiences; where she shares her state of mind through abstract and immersive spaces. The mediums and tools she has used vary from digital world building, interactive installations, immersive art, to ink drawings, digital paintings, and pencil drawings. She enjoys experimenting and combining emerging technology with architecture and various forms of art.
Hira’s artwork examines the intersection of technology and traditional forms of art. Her mediums include, mobile applications, desktop applications, videos, projection mapping, virtual reality, installations, drawings and sculpture. She employs softwares such as Houdini, Maya, ZBrush, TouchDesigner, VPT8, AutoCAD, Unity, Unreal, Arduino, Processing, Photoshop and more. Hira is also experienced in using C#, C++, HTML, and CSS.
“Empathy: the ability to share someone else’s feelings or experiences by imagining what it would be like to be in that person’s situation” ~ Cambridge English Dictionary
Freedom of expression, religion, and the pursuit of an artistic career in Pakistan presents many challenges and restrictions for women, which led to my eventual immigration to the United States. In Pakistan, women rights, sexual harassment, and independence for women are a taboo subject, therefore, there was no place for someone like me who was unafraid to raise my voice. Even though there is no comparison between life in the US versus that in Pakistan, it turns out the United States has a different set of problems when it comes to race and women rights. Therefore, my artwork has always been about personal narratives and sharing social and cultural challenges that women face globally.